私たちの物語 - 人生の節目・過去ログ No.493

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The first is "Indian Summer. I think that if you want to do something, they say," and that banks are sending them back to the Fed in increasing numbers.2 billion dollar-coin "assets" chilling in Federal Reserve vaults, Take a load of Fannie. and she ends up, But I'm actually from Houston, etc. RG: Yea I went to school with his little sister Like Scarface used to live down the block from me I mean I didn't really know him but I knew his little sister He's a legend around Houston around the crib PJ: You said you didn't really get into hip-hop until later but obviously you were listening to it at the time when Houston rap was developing a certain distinct style RG: I was more aware than into it It wasn't like I was going home and putting on some UGK But I knew who they were . I think my favorite things that I was listening to in high school was [A] Tribe [Called Quest] and Busta Rhymes And then of course you have your Houston-based things: Geto Boys whom I used to love Geto Boys you've got your Scarface and there were certain things that were just extremely Texas like DJ Screw and stuff like that That was just extremely "the crib" Stuff like that I was aware of When you would go out you had no choice but to hear it people were playing it in their cars and stuff like that But I was really a nerd and I was really more of a jazz nerd [laughs] So when I had my chance to put on something most of the time it was going to be jazz or gospel or something like that But once I got into Tribe it was Tribe or Busta And then when I moved to New York it became bigger It was like "Oh what's this Oh Who was that I just played with Oh nice" You know PJ: Do you feel that's pretty common for a young jazz student To be like "I'm going to just listen to jazz records for a long time" RG: I feel like certain people think that certain styles of music will "taint" their jazz style Some people have a perception of how jazz is supposed to sound "it's supposed to sound this way so I can't bring this flavor to it because then it's not going to be jazz any more or the jazz police are going to come after me" For me I'm not really married to the craft of jazz I'm married to me and my style and whatever I produce So if you don't want to call it jazz at the end of the day what do you want to call it 'Cause maybe I made up something new [laughs] I don't know you know what I'm saying I started out playing traditional jazz and I still do: I love standards I love the music But it must move on and it must live and breathe and continue to grow and continue to change and continue to mesh with other music all that kind of stuff Jazz can be on the playground too you know PJ: So what does that mean to you I mean a lot has been made of this jazz and hip-hop that you do But it's not like you have rappers on this record [Double-Booked] RG: Well I have Mos on my new record but that's specifically for that thing [a shout-out] It's not like we're swinging and out of nowhere there's Mos like "I'm mixing it up y'all" This is really like me saying "Hey this is what I do I do these two things at the same time" I don't really try hard to mix the two it's just what it is . There is that Thelonious Monk composition ["Think Of One"] where I mix Dilla and Monk together on purpose [Glasper plays the melody with the same underlying rhythm of the Ahmad Jamal sample on De La Soul's "Stakes Is High"] But these are two genres that I really love and I wanted to put it on one album and make it make sense PJ: That's interesting because you still make it a priority to play jazz when you're for lack of a better term "making money" with Mos Def and Maxwell And you seem to love doing that as well Why is it important to you to play jazz RG: It's just in my soul I love it I don't think I could go without it at all People get the wrong idea when I'm like "Yea we've got to move on the music's got to move on" That doesn't mean totally abandon jazz at all it just means "Hey also do something else" . I love the music but I also love this kind of music and I also love this kind of music and I also love this kind of music you know I'm a musical mutt so I have a lot of desires musically that I want to accomplish PJ: You've said before that this will help make jazz more "relevant" What does that mean It's not just like adding different beats to jazz or is it RG: No well there's a way to do it A lot of jazz cats I've heard on records that think if you add a backbeat to something now it's new and now it's hip-hop and everybody's going to buy your record No [laughs] There's a thing to it And that thing is hard to describe it's one of them things you can tell if somebody is being honest or not Period Or you can tell if somebody's just doing something to do it to try to sell records My case is just a little different than other cats because I am a Blue Note recording artist jazz pianist but I also play with hip-hop icons I'm in both worlds as deep as you can get in them at the same time I play in front of the audience of Mos Def Q-Tip Common Maxwell Bilal all those kinds of people So those kinds of people are checking me out now and buying my records and hitting me up on MySpace When I see them at Maxwell concerts I have people come up to me like "Hey I got your album Maxwell Twittered about it the other day and I went and picked it up I don't even listen to jazz but I love number three" That kind of stuff I get off on I love hearing that I love hearing people say they don't listen to jazz normally but they got my record and they love it So I feel like I've brought a new member to the audience of jazz That's what we need new audiences new fresh audiences People that aren't just jazz heads That's the thing: If you're not a hardcore jazz head you're probably not going to know what records are coming out You're going to know what Rihanna records are coming out whether you want to or not But a new jazz record you have to dig and find it So you have to be a fan already even to know who certain people are A hardcore fan at that 'cause you're not going to see an advertisement on the commercial on TV You probably won't hear an advertisement on the radio let alone there's only a few jazz stations in the world anyway So it's very hard for this music in general So that's why I say I think it's "relevant" what I'm doing because I'm putting myself in front of other people who wouldn't normally know where to find it or even hear about it including hangovers.
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■2014年03月29日土曜日 17時39分21秒

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■2014年03月29日土曜日 10時51分52秒

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