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"Winnie Mandela" opens with its subjects humble birth accompanied by syrupy music that would not be out of place in a story about the life of Jesus Christ It follows Winnie through her student years in Johannesburg where she trained as a social worker through her courtship with and marriage to lawyer and anti-apartheid activist Nelson Mandela Its a union that doesnt have much time to put down roots Her husband is quickly imprisoned for sedition spending much of the remainder of the film behind bars as Winnie carries the movements torch from the outside at one point serving jail time herselfNevertheless the movie presents the Mandelas love as one of the great romances at times depicting the struggle for black liberation as a pesky hindrance to their being togetherDespite Toronto reviews that criticized (and not without reason) the films sentimentality and generally glowing depiction of Winnie as the "mother of the nation" Roodts film deserves credit for spotlighting some of the controversial figures warts One scene depicts her delivering her most infamous statement that "With our boxes of matches and our necklaces we shall liberate this country" That allusion to "necklacing" or placing an old car tire doused with gasoline around the necks of police informants and then burning them alive understandably shocked her husband who is shown in the film begging his wife to choose a more politically temperate pathThe films handling of the death of James "Stompie" Seipei is only slightly more equivocal The controversial 1989 murder of the teenage boy who was apparently killed by Winnies thuglike bodyguards and possibly in her own house if not with her consent is shown to take place behind closed doors During a prison visit however Winnie offers justification for the death of the alleged police informant to her appalled husband who not long after begins to contemplate divorceSo "Winnie Mandela" is not exactly gushing praiseIts portrait however is of a woman driven to extremes by love as much as politics In the end this feels like something of a narrative cop-out given the horrific nature of some of what Winnie Mandela has been accused of Still Hudson is a pleasure to watch when Winnie is beginning to bug out literally talking to insects while incarcerated For his part Howard remains a stolid background player a charismatic figure in both his romantic encounters with Winnie and before a crowd As the Mandelas chief tormentor police colonel de Vries Elias Koteas makes for a formidable if scenery-chewing screen presenceIts understandable why Winnie (now known as Winnie Mandikizela-Mandela since her 1996 divorce from her husband) would be upset about this film which cant seem to make up its mind about whether shes its heroine or antihero Whats less understandable is why Jakes signed on as producer Hes on record as saying that his production company only handles work with a message But whats painfully unclear is just what message "Winnie Mandela" is trying to deliver ???R At area theaters Contains violence and crude language 105 minutes . 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